Meaning of Life and Literary Metaphorical Descriptions Essay Example for Free

Meaning of Life and Literary Metaphorical Descriptions EssayStuck and chained without any tendency of where your life is headed, requires necessary causal agent to go through. This is the situation for the main character in Wiliam Lychacks short fable, Stolpestad. Without any whereabouts of his life shootions, Stolpestad come across his give life through unpleasant confrontations of his own identity loss. This is your life, Stolpestad Stolpestad finds that his life gone tedious, waiting towards the end of each shift, lying and giving an excuse to postpone his arrival back home to his wife and his children. driveway through the city, Stolpestad yearns after his life in the town as child.You idle slow and lawful past the house as if to glimpse someone or something yourself as a boy, perhaps. Though Stolpestad is aware of the requisite in his absence back home, he decides to go to a bar. At the bar he is rotund stories, spreading laughter, about his earlier predicament with shooting the crucifixion dog. Stolpestad seems full of confidence re-telling the story, provided in the certain situation he was nervous and crude with this consent that shes already dead- that shrill of insects in the heat and grass as you nudge her again.You push until she comes to life, her eye opening slow and black to you you with this hope that the boy leave behind be running any moment to you now, hollering for you to stop. He wish the dog to already be dead, or that the boy will come hollering him to stop. This nervousness of his comes truly to life when the boy and his father are confronting him, and the surrounding noices frightens him Its only a door opening moreover look how jumpy you are.Stolpestad finds this confrontation to be a very uncomfortable situations, and feel that it is a repeating element in his life, which is depicted in this paragraph the deja vu of a pickup truck in the driveway as you pull around the house, as if youve seen or imagined or been through all of this be- fore, or will be through it all again, over and over. We can interpret this, from the fact that Stolpestad keeps running into these unpleasant situations. Putting down a suffering dog turns into an unintentional disservice to the dying dog, the boy and his father and himself.The unsuccessful execution and the survival of the suffering dog, Goliath, can be seen as a metaphor for Stolpestads life. The life of the dog Goliath and Stolpestads life are heading in the same direction, Goliaths suffering is a reflection of the suffering in Stolpestads own life. Gully is staidly injured and it is save a matter of time until its life will peg out, exclusively even after what was supposed to be an easy hurl down, the dog remains alive. Stolpestad is neither injured or near death.Stolpestad is caught between the choices whether he shall pursue his meaning of life or leave this world behind. He is stuck as a spectator of his own life, as the dying dog Goliath is a sp ectator of its own death. The injury of the dog can besides be interpreted as a simile for the environment and the town Stolpestad lives in. The Christian narrative of David and Goliath deals for Goliaths sake with the themes negativity and failure. The nickname Gully is a equivalent word for a sewer. That means, that the dogs name in both significances refers to something including degradation and abject environs.Goliath lies on all the trash on the families within the families premises and symbolizes the poor social environment that the family hails from. The family is tamped by this inadequacy in the society, which the dog and its name symbolize. The sentence The old tires, empty bottles, paint cans, rusty car axle, refrigerator door exemplifies what poor environment the family is a part of. The environment of the father may also explain the cause of his ironical compliments of Stolpestads house He lets out a long sigh and says its a fine place you seem to have here.Still thi s higher league of society does not give out Stolpestad, and it does not seem like he has been in this contrast to the lower league of society his whole life, which also may cause the sympathy he has for the boy. The boy can be interpreted as an illusion of Stolpestad as a child. In the early beginning of the short story, Stolpestad is driving around soulless, expression for something possibly himself as a child, and after the meeting with the boy, he quickly conceives comprehension of his life situation.This may be caused of Stolpestads own youth, that may have been difficult, but he still may miss Back to all the turns you were born, your whole life spent along the same sad streets The kind of storyteller world used in the story is a second person narrator who writes to a certain you. Our you, who our narrator directs itself to is the main character of the story, Stolpestad. Though it is Stolpestad the narrator direct itself to, the reader feels like being spoken to, when this narrative perspective is being used Was toward the end of your shift.This way a text involves and affects its reader in a whole other level. It is hard to judge whether the narrator is an actual figure or totally absent throughout the story. The narrator does not specifically appear throughout the story, but certain things point to the narrators appearance away we go. Still it is doubtful and unknown, who the narrator may be, as the short story does not give an unequivocal explanation of who the narrator might be. The language is both embossed of slang and then the more literary metaphorical descriptions.This shows, how the narrator has authority of changing the style when it fits him. Therefore it is a mixture of the lower style and a formal literary style. Stolpestad is living a life that just passes by, without him taking any action, and therefore he feels like his whole life just consists of continuous repetitions. He is living in the same surroundings as he did in his youth an d during his childhood so therefore his external rams havent changed, though he has become older. Therefore everything feels recognizable and boring for him.With the description from a second person narrator, who sees Stolpestad from an external perspective, we can connect this to the interpretation of him as a passive individual. He is not even in possession of the authority to tell his own story, but is having it told by another narrator interfering and judging him negatively. Here as well he stands without influence, but may passively let the narrator relate his story, while he himself will have to be a spectator to his own life. So do not just let life pass you by.